After a long period of hiatus which is about 40 years, the sculpture leads the contemporary art again. The sculpture can be presented by many ways such as carved, glued or sewn, a sculpture work also can be any size, any weight. It can be small as a teacup or huge like a small ship. It can be light as a piece of paper and also can heavy as a sack of concrete. It express that the sculpture work can be very free and conceptive.
Using found objects to make some sculpture work is also already started in european during the 20th century. The combination of all kinds of different objects that make the sculpture works more lively. For seitz, he use the already-made parts pieces or entire objects that retained theiridentities even they combine together as a single work. It might be called Juctanosition. In recent years, the aesthetie is not dominated by free-form flotation but by strategies of swimming-to wit. Further more it also said that a sculpture can be really done as an art work or only contact with the moment. The personalized in sculptural reached a level unprecodented on the other hand most intentionally un-private. There is a lot of new sculptures use the piecemeal, jury-rigged or put-together state lens a distinct sense of contingenc. Such as Kristen Morgin's pulverized lion, Urs Fischer's melting female nude and Elliott Hundley's toppled column. All of these works make direct reference to destruction of the symbols of artistic permanence.
To sum up, the sculpture leads the contemporary art again. However, the recent sculpture art works have changed a lot with the old one. In unmonumentality, the sculpture lacks the timelessness, massiveness and public significance. It meant to describe a kind of sculpture that is not against these values.Sculpture arts becomes more free, no steadfast form. Moreover, it said that we should open the eye sight, have our individual opinions. The new arts are different form the post arts.
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