Bill Viola is an American artist born in 1951. He is internationally
recognised and was seen as influential to the establishment of video in
contemporary art, his works being shown in museums and galleries all over the
world. His works involve ‘videotapes, architectural video installations, sound
environments, electronic music performances, flat panel video pieces, and works
for television broadcast’. His work often focuses on universal human
experiences such as birth, death and the unfolding of consciousness, trying to
explore the sense perception as an avenue to self-knowledge. His videos
communicate to a wide audience by using the inner language of subjective thoughts
and collective memories.
Viola has been involved in the Kaldor Projects in both 2008 and
2010. In 2008, two works from
Viola’s 2005 series The Tristan Project were presented nightly at St
Saviour’s Church in Redfern, Sydney. The darkened church was lit with a
larger-than-life projection of Fire Woman and Tristan’s Ascension
(The Sound of a Mountain Under a Waterfall), the memorizing images accompanied
by sound. After the presentation in
Sydney for Project 17 in 2008, these works were installed again for a second
time for Project 21, inside a church in Parkville, Melbourne. A second work, The
Raft, was also presented at the Australian Centre for the Moving Image as
part of the project.
Fire Woman
Tristan’s Ascension (The Sound of a Mountain Under a Waterfall)
Tristan’s Ascension (The Sound of a Mountain Under a Waterfall)
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